WHY MELTDOWN? OR WHY PERFECTION SUX
With the news John was releasing another project before his next studio
album, I was delighted. Acquiring new music is always a special event
for me (and for you as well I am sure) While waiting for Meltdown to
be released I was surfing about on TTP around and found Taylor's musings.
Reading
this I immediately developed a severe appreciation for the music solely
based on its conception and intent -- without even hearing a note. There
he was fresh out the fish bowl of London, arriving in Laurel Canyon
on Lookout Mountain in his little hub of a recording studio -- all of
his equipment and new toys sitting before him -- a pioneer on a new
voyage of discovery, a kid in a candy store, the mad scientist knee
deep in a new experiment.
John's
essay was very inspiring. It reminded me of when my brother came home
with a massive load of electronics from Music Stop and locked himself
in a room until he had it all figured and was making recordings. SANS
roadie, SANS engineer, SOLO. He would be down in the basement for hours
upon hours, forgetting to eat, forgetting everything except the task
at hand. He wasn't even really writing songs either, just making noise......he
made the floorboards dance. I could not wait for this CD to be mine.
To listen -- to love it.
My next
discovery was the lyrics. I printed them out at work and studied them
on the ferry on my way home that day. These lyrics I was reading were
striking -- poetic. You could easily see they were personal and necessary.........per
usual. It is an unusual sensation to know and love the words to songs
you have never before heard. I cannot choose a particular favorite,
though I am particularly fond of the lyrics of 21st Century Teenager
and Meltdown.
"Putting
feelings into spieling has not been my speciality."
Literally,
I was on the edge of my seat from the minute I ordered Meltdown until
the minute it arrived. Meltdown? Why not?
MISTER
J
There I was, finally listening to Meltdown. Putting music with words
I had grown to love so well. I was alone with my headphones -- lyric
sheet and the essay before me. What occurred inside of me is indescribable.
All I kept
thinking was -- how lucky are we to be fortunate enough to have this
talented artist -- share this diverse, vulnerable music with us. GOD
DAMN.
One of
the things I have always loved about Duran Duran is they always produced
unique music, never doing the same thing twice. This remains true for
John as a solo artist. FAGAOL and Meltdown are no way comparable aside
from the artist name and emotion.
I was blown
away. There is no other way to say it. It was rough and fun and funky
and inspiring. In my minds eye, I could see him huddled in this room
surrounded with his music garb -- we should all count our lucky stars
he likes us all enough to share it with us. For, he found himself nervous
of his "noise sessions" only allowing a few close friends have a listen.
I have nothing but love and respect for Meltdown.
SOUL
FIRE
I have noted many different opinions on Meltdown in the recent past.
And as a few wise souls said to me, "Some people get it, some people
don't." I GET IT !! DO YOU??
I do have
favorites that I jam to in my own space. I cannot resist the reggae
groove of Soul Fire, nor can I resist the harmonious gushiness on Sometimes.
FAT BOY'S
GONE boasts my favorite line that John sings (meaning the way he sings
it)
"Cause
livin' ain't easy you get a lot of monkey."
Meltdown
leaves me asking two questions:
1- Why
didn't he release it sooner?
2- What
else does he have hidden away?
In many
ways the music is ahead of its time and foreshadowed what John was capable
of as a solo artist.
SEE
US HUMMING SEE US ALIVE
It
is hard to believe that Feelings Are Good And Other Lies is almost a
classic. Here we are in 1999, the last few months of the 20th century
and as a solo artist John Taylor has five recordings to his credit with
no end in sight. Life as a solo artist has proved him successful --
but who would doubt that in a man who puts 250% of himself in his artistic
ventures. His Artists Dance Card is exceptional -- an independent recording
career, live TERRORISTEN shows all over the place, a budding acting
career and a world full of other possibilities.
And here
we sit, waiting in wonder, for another taste of what is John Taylor.
Lucky us. Living sure ain't easy sometimes but it sure is grand.
"How lucky we are to have windows." Allen Ginsberg - 1984
Nicole
D. Myers
October 1999